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Kaga Yuzen Artist / Traditional Craftsman YOSHINORI KOIZUMI Born in 1972 in Omura City, Nagasaki Prefecture. Since my childhood, I have loved drawing pictures and making crafts. In my third year of junior high school, my art teacher recommended that I apply to the design department of Nagasaki Nihon University High School. In the months leading up to the entrance examination, I repeatedly drew hand sketches at home, had the teacher look at them, and then drew them again and had the teacher look at them, and was accepted into the competitive design course. In high school, I learned all the basics of design, and at university, I majored in the Visual Communication Course of the Fine Arts Department, where I mainly studied commercial design. While in school, I felt a sense of discomfort with things that were created and consumed in accordance with the trends of the times, and I felt a desire to go deep and create things that would be loved for a long time, one by one. I decided to pursue a career in Yuzen because of my love of Japanese patterns and my fascination with kimonos that bring out the three-dimensional beauty of things drawn on their surfaces. - Biography -
The basic concept is to create a design based on sketches, but with an original and innovative narrative design in mind, and by skillfully using soft, fresh, yet deep colors, I create something modern, yet never boring.
In 2008, I was certified as a traditional craftsman. Traditional craftsmanship is a national certification given to craftsmen who have mastered the skills and techniques of traditional crafts handed down in the region. [Kaga Yuzen] Certification Category: Hand-Drawn Division Japanese Traditional Craftsman
Ishikawa Traditional Industry Promotion Council Chairman's Prize, Independent Artist Division, the 47th Kaga Yuzen New Work Competition
Ishikawa Traditional Industry Promotion Council Chairman’s Prize of the 47th Kaga Yuzen New Work Competition was awarded to this furisode with the design of traditional floral patterns on running water. - Imagine One World - With the creation of original "KIMONO" that symbolize countries and regions around the world, and to convey to the world the splendor of traditional craft culture that Japan is proud of, the project conveys the message of peace and friendship. The "KIMONO Project" was developed by Imagine One World, a general incorporated association, based on the concept of "The world is one. Of the total 213 kimonos produced, I produced two, for the Virgin Islands and the Republic of Uzbekistan. KIMONO PROJECT
- April 2020 -
Inspired by how the main three islands are affectionately called "Rock City," "Twin City" and "Love City," the design features very American fonts. You can also see pirate ship treasures, luxury cruise ship, Cadillac, Pontiac, Gibson, and Les Paul. The world's largest and very rare shell-less leatherback turtle, manta rays, whale sharks, and clownfish are swimming in the ocean while, on the ground, there are palm leaves and yellow bells in full bloom. This work is full of playfulness. - October 2016 -
Uzbekistan was where many interned Japanese soldiers were transferred from Siberia, and many of them could not return to their home country. Inspired by this story, I decorated the Navoi Theater with cherry blossoms. The cherry trees planted by the bereaved families still blossom every year. Drawing the patterns of traditional Uzbekistani textile "Abrbandi" in vivid colors, the Tilla Qori Madrasasi Seminary in Registan Square is skillfully placed together with apricot flowers to express the beautiful scenery. - 2021 SPRING / SUMMER - With the creation of original "KIMONO" that symbolize countries and regions around the world, and to convey to the world the splendor of traditional craft culture that Japan is proud of, the project conveys the message of peace and friendship. The "KIMONO Project" was developed by Imagine One World, a general incorporated association, based on the concept of "The world is one. Of the total 213 kimonos produced, I produced two, for the Virgin Islands and the Republic of Uzbekistan. You can watch my works on Tokyo Girls Collection's Youtube channel. (4:55-5:15) TOKYO GIRLS COLLECTION 2021 SPRING / SUMMER - Stage Costumess - Dresses / Haori Dresses
Furisode is a kimono with long sleeves that are made by reducing the number of seams between the body and the sleeves. It is the formal wear of today's young women, equivalent to kuro-tomesode, shiro-tomesode, and homon-gi, and is often worn at coming-of-age ceremonies and weddings both as bridal gowns and by attendants.
Tomesode is the most prestigious formal wear of kimono for married women. It is the first formal dress in terms of kimono rank and is equivalent to evening dress in the West, but unlike evening dress, it has no time zone restrictions and can be worn day or night.
- Visiting Kimono - Homon-gi is a convenient kimono that can be worn for various occasions, such as formal occasions, theater, tea ceremony, and other occasions to which you are invited. It can be worn by both Misses and Mmes. It is characterized by the fact that the pattern is continuous throughout, rather than being scattered throughout with small patterns as in the "komon," which is an everyday wear.
- Bride's Curtain -
Hanayome Noren is one of the wedding customs that started in Noto, Kaga, and Echchu of the Kaga Clan from the end of the Edo period to the Meiji period, and it is one of the "bridal implements" that are hung in the Buddhist room of the bride's destination when she marries. This work is not a "bride's goodwill," but a "groom's goodwill," a goodwill that a groom brings when she takes a husband.
I produced a jinbaori (a traditional sleeveless short coat) for cellist Ludovit Kanta to wear at a concert commemorating his appointment as Kaga Yuzen ambassador. The design features motifs associated with the prefecture, such as a drum gate, the wings of a golden eagle, and Mt. Hakusan, and has a gorgeous finish that looks great on stage. It will be used at events of the "Kaga Yuzen Technical Promotion Institute" and other events. - Interior Tea Boxes -
A series of two drawings, one for spring and summer and one for autumn and winter, were made from panels of different dimensions to fit the atmosphere of the house. I expressed the Japanese world by using a color composition based on the image of gold leaf in Kanazawa and by dynamically running sumi ink. The title "Hora" is the name of the goddess of seasons and order. Materials: Japanese washi paper, acrylic, sumi ink, gesso, etc.
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